Some artistic notes about the film:
When I first heard the song, "We Shall Overcome: Love Will Rise Again" I was deeply moved. This song captures how I feel about being a voice for the animals. I've never felt so empowered, inspired and as strong in my life as I do now. Nimo Patel was so gracious to let me use his music for this film. If you have the opportunity, please visit Nimo's website and learn more about his efforts of using music for social change. If you are able, please consider donating to his cause. 

This film explores all of the ways we exploit animals and all of the ways we fight for them. It goes back and forth between the two extremes.  For all of the oppression and injustice the animals face, we are there to make things right. You may notice that at times, those oppressing the animals don't seem to even notice what they are doing. We've been conditioned that what we are doing to animals is normal, natural and necessary. The veil is lifting. 

When we actively speak up for the animals, we are tipping the scales. It doesn't matter if you're scared, shy or hesitant, you can do this. And if you think that one person can't make a difference I refer you to this poem by Bonaro W. Overstreet: 

Stubborn Ounces
(To One Who Doubts the Worth of Doing Anything If You Can’t Do Everything)
You say the little efforts that I make
will do no good: they never will prevail
to tip the hovering scale
where Justice hangs in balance.
I don’t think I ever thought they would.
But I am prejudiced beyond debate
in favor of my right to choose which side
shall feel the stubborn ounces of my weight.

In this film, I also wanted to show that activism comes in all forms. Everyone has a talent that can be used towards the fight for animals. Whether that be in the form of direct outreach, protest marches, creating wonderful vegan food, educating others, writing about the fight for animals, supporting vegan businesses, bearing witness, teaching children about living a compassionate lifestyle, having those hard conversations with family and friends or even by simply living a vegan lifestyle, we are standing up for what is right and just. Our life is based on constantly going against the stream and fighting injustice. It can take its toll and there are days where we may feel helpless and like we’re not making a difference but we are. You should feel proud! 

I wanted to end the film at the Maple Farm Animal Sanctuary. Like so many sanctuaries, this is a place of refuge and where animals can live out their lives in peace. Animals deserve to have moral consideration and have the ability to express agency over their own lives. 

The last image is of Gail staring out into the distance of an open barn door. Gail was used as a dairy cow for the first ten years of her life. I wonder what she must be thinking. Does she remember her time before being rescued? Does she miss her family? Where are they now? Unlike the 300 million cows who are slaughtered every year, she is free...like all animals should be.  

I hope this film inspires each and every one of you to be a voice for the animals!

​"Unstoppable" 
Music by Nimo Patel and Daniel Nahmod at Empty Hands Music, "We Shall Overcome: Love Will Rise Again."

Special thanks to The Save Movement, Toronto Cow Save, Laura Ray, Sheryl Becker, Erica Korff, Lilly Colwell and to everyone who made this film possible.

This film is dedicated to my son, James. I'll keep fighting until you see a more humane and compassionate world.

Abby 

The next stop was to the R. W. COMMERFORD & SONS animal attraction. This 40 year old company is located in Goshen, Connecticut. Their website proclaims that they work hard to give their animals a nice home and that the animals are well taken care of (R. W. Commerford & Sons, "Our Animal Friends", n.d).
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The attraction at the “Big E” included a petting zoo as well as pony and elephant rides. This exhibit was the most distressing for me. Minnie, an elephant, was on display. She looked exhausted. Her eyes appeared sunken in, her skin looked incredibly dry and cracked and her mood seemed to be despondent as she walked around in circles giving rides to customers. The ride lasted around 1:30 minutes per group. The next rider(s) would immediately get on and Minnie would go around in a circle again. There was no rest for Minnie during the time I observed her, which was for more than half an hour. The handler had a bull hook with him, which he held conspicuously at his side and would use it to guide Minnie if she wasn’t going where he wanted her to go ("R. W. Commerford & Sons Attraction", 2018). 

​I then went over to R. W. Commerford & Sons’ petting zoo. There was a zebra in the center of the tent. It was held inside a small enclosure which was surrounded by the pygmy goats and Barbados sheep. The Zebra stood in one place and did not move or look around. Most would probably not even notice that the Zebra wasn’t interacting because they were too distracted at all of the goats trying to jump out of their enclosure to get food from the guests. Along the side of the tent were four Shetland ponies that were chained up to the railing. Inside of a cage, which you could barely see inside because there was a grate over it, was a Greenwing MaCaw. I didn’t see any sunlight getting into the cage. This was the same with the African Grey Parrot. There were many other exotic animals at the petting zoo such as the Scimitar-Horned Oryx, originally from the Sahara Desert and the Zebu Steer from India that were also chained to a fence. Like with “The Switfy Swine Pig Racing”, there were opportunities to buy souvenirs such as photos and cow boy hats ("R. W. Commerford & Sons Attraction", 2018).

​I spoke to those working the R.W Commerford & Son’s attractions and everyone seemed to hold the party line that all of these animals are happy and well looked after ("R. W. Commerford & Sons Attraction", 2018). The workers themselves looked miserable. I don’t believe that many of employees really want to be doing this. They too are a victim of oppression, whether that be down to their race, income level or class. Just like when the poor white man was pitted against the poor black man in order to keep the institution of oppression functioning, this same system is pitting these employees against the animals in order to prop up upper classes. 

​When I exited the fair, I encountered a group of animal activists that were asking for those that walked by, to consider what their ticket was paying for. I spoke to Sheryl Becker, the director of the Western Massachusetts Animal Rights Advocates group. She lead me to a PETA report showing that R.W. Commerford & Sons has had over 56 citations of not meeting federal standard of care for animals used in exhibition; based on the Animal Welfare Act (PETA, "R. W. Commerford & Sons Traveling Petting Zoo Factsheet", n.d). 

The Nonhuman Rights Project reports, violations that pertain to the elephants in the care of R. W. Commerford & Sons alone include, “failure to have an employee or attendant present during periods of public contact with the elephants; failure to give adequate veterinary care to treat an excessive accumulation of necrotic skin on the elephants’ heads; failure to maintain the elephant transport trailer; inadequate drainage in the elephant enclosure; failure to dispose of a large accumulation of soiled hay, bedding, and feces behind the elephant barn; and failure to keep an elephant under the control of a handler while she was giving rides” (Nonhuman Rights Project, "Clients: Beulah, Karen, and Minnie", n.d). When I explained that the elephant giving rides on that particular day was Minnie, Becker was shocked and concerned. Peta has reported that Minnie has been involved in three separate incidences of dangerous behavior (PETA, "R. W. Commerford & Sons Traveling Petting Zoo Factsheet", n.d).

The first reported incident occurred in 1989 when Minnie attacked and critically injured an elephant handler. This occurred when the handler struck Minnie with a bullhook while two children were riding on her back. She had picked the handler up with her trunk and threw him against a trailer. This broke the handler’s jaw and shoulder. Years before this happened, Minnie had attacked a worker and broke his arm (PETA, "R. W. Commerford & Sons Traveling Petting Zoo Factsheet", n.d).

In 1998, Minnie knocked down her trainer and stepped on him. Again, she had children on her back. One of the children fell off of Minnie and hit her head (PETA, "R. W. Commerford & Sons Traveling Petting Zoo Factsheet", n.d).

On March 5th, 2006, Minnie became agitated and swung her head toward two employees. She used her weight to pin them against the loading ramp. A witness confirmed that Minnie’s action was a result of her being provoked by one of the employees hitting her in the face (PETA, "R. W. Commerford & Sons Traveling Petting Zoo Factsheet", n.d). This makes me think that this could become another Sea World Tilikum situation (BBC, "SeaWorld orca Tilikum that killed trainer dies", 2017).

When I got home, I saw a post by the Nonhuman rights project and couldn’t believe that Minnie, along with the other two elephants owned by the Commerford’s, Beulah and Karen were clients of Steven Wise (Nonhuman Rights Project, "Clients: Beulah, Karen, and Minnie", n.d). The Nonhuman Rights organization had been at the Big E at the same time as when I was there doing my assignment.

According to the Nonhuman Rights organization, Minnie was born in the wild in Thailand. She was imported to the United States in 1972 when she was two months old. Practically since birth, she has been on display. She has been in petting zoos, used for sales promotions, in Indian weddings, films, circuses and photo shoots. Minnie was sold to the Commerford’s in 1976. At the age of 46, Minnie has lived a life that has been nothing short of abuse and exploitation (Nonhuman Rights Project, "Clients: Beulah, Karen, and Minnie", n.d).

Within the space of just a day or two, a photo of Minnie went viral. There have been petitions to stop the exploitation of the elephants in Commerford’s care and more activists showing up to protest. Just two days after I visited the “Big E”, Steven Wise was on a Western Massachusetts news station, WGGB/WSHM, advocating for Minnie’s release to a sanctuary (Sleem & Masse, 2018). This has been a catalyst of dozens of news articles covering the case and it doesn’t seem to be slowing down. There is currently a change.org calling to “End the Use of Wild Animal Acts at The Big E!” There are currently 127,070 signatures as of October 31st (Change.org, n.d).  
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The current litigation case with Beulah, Karen and Minnie’s is still ongoing. In December 2017, the first petition was refused with Judge James Bentivegna proclaiming that the case was “frivolous on its face as a matter of law.” On June 11th, 2018, a second petition was filed on behalf of the elephants in Connecticut. (Nonhuman Rights Project, "Second Petition Filed on Behalf of Captive Elephants in Connecticut", 2018).  

If the case is won, the elephants would be welcomed to the PAWS (Performing Animal Welfare Society) Sanctuary to live out their lives (PAWS, n.d).

This assignment has taken me into an entirely different direction than I had anticipated. It has allowed me to feel like I was part of something bigger. I was able to bear witness to the life of entertainment animals such as Minnie, who have had to endure more than any animal should. Although I left the “Big E” feeling angry, I now feel empowered. I am able to see how so many groups of people are going at great lengths to speak up for the animals; either through protests, petitions, advocacy or legal work. Through the use of social media, Minnie’s story has been shared thousands of times, further opening the hearts and minds of those around the world. I look forward to following Stephen Wises’ case for my friend, Minnie. 

Below are some additional photos and videos that I took during my experience at the "Big E". The way we exploit animals is never ending. I ask one thing of you, please look into their eyes. 

Resources

BBC. (2017, January 06). SeaWorld orca Tilikum that killed trainer dies. Retrieved October 31, 2018, from https://www.bbc.com/news/world-us-canada-38531967

Change.org. (n.d.). End the Use of Wild Animal Acts at The Big E! Retrieved October 30, 2018, from https://www.change.org/p/eugene-cassidy-president-and-ceo-end-the-use-of-wild-animal-acts-at-the-big-eJohnson, Z. (Director). (2018, September 22). 

​Swifty Swine Racing Pigs. Live performance in Eastern States Exposition, Springfield.

Nonhuman Rights Project. (n.d.). Clients: Beulah, Karen, and Minnie. Retrieved October 30, 2018, from https://www.nonhumanrights.org/clients-beulah-karen-minnie/

Nonhuman Rights Project. (2018, June 11). Second Petition Filed on Behalf of Captive Elephants in Connecticut. Retrieved October 30, 2018, from https://www.nonhumanrights.org/blog/second-petition-connecticut/

PAWS. (n.d.). Performing Animal Welfare Society -- PAWS. Retrieved October 31, 2018, from http://www.pawsweb.org/

PETA. (n.d.). R. W. Commerford & Sons Traveling Petting Zoo Factsheet [Brochure]. Norfolk, VA: Author.

Sleem, S., & Masse, A. (2018, September 24). Call to end wild animal acts at the Big E after viral Facebook post. Retrieved September 24, 2018, from https://www.westernmassnews.com/news/call-to-end-wild-animal-acts-at-the-big-e/article_e5e6db6e-c066-11e8-b5b3-7f9b485dbdd1.html

R. W. Commerford & Sons Attraction. (2018, September 22). Live performance in Eastern States Exposition, Springfield.

R. W. Commerford & Sons. (n.d.). Our Animal Friends. Retrieved October 30, 2018, from http://commerfordzoo.com/animals.php

Wikipedia. (2018, September 22). The Eastern States Exposition. Retrieved October 30, 2018, from https://en.wikipedia.org/wiki/The_Eastern_States_Exposition